The Curtain Twitcher’s Handbook: Tip #2

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‘The Importance of a Darkened Room’ by Daisy May

It may seem obvious but, at night, curtain-twitching should only be attempted in a darkened room. So many of us forget in our haste and are discovered.

I looked down at the tissue in my hand. It was a damp, wrinkled ball full of tears and snot, and looked exactly like I felt. I stood up to toss it into the spotty bin that matched my curtains.

My curtains.

Still here,” the God of Curtain-Twitching reminded me.

I silently protested.  “But you show me only bad things.”

I only show you what is there,” came the response, which I thought was a bit of a cop-out.

Sighing, I reached over to turn my bedside light off and headed for the window. I heard the god murmur with satisfaction.

 


Taken from The Curtain-Twitcher’s Handbook, in which Daisy discovers the dying art of curtain-twitching is not just for old, nosy people.

The Curtain Twitcher’s Handbook on Amazon.co.uk

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The Curtain Twitcher’s Handbook on Amazon.com

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INSPIRATION: The Saturday Girl

I was a Saturday Girl once. There was a small cafe in our small town, made popular by a long-running TV series. So many girls from school undertook their job-baptism of fire here, and the kitchen was a seething microcosm of alliances, hostilities and hormones, interspersed with coke floats and cheese and pickle sandwiches.

Saturday Girl

INSPIRED

They pushed me to the top of the stairs and handed me a torch.

“Go on,” said the girl called Suzanna, “They’re on the top shelf.”

I peered down. It was pitch black at the bottom. The light from the cafe filtered down, reducing with every step. I flicked the torch on and gritted my teeth.

This was clearly the beginning of some kind of war.

“Come on, new girl.”

An hour into the job and I was already losing.

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